Piet Mondrian
Dutch 1872-1944 Piet Mondrian Location was a Dutch painter. He was an important contributor to the De Stijl art movement and group, which was founded by Theo van Doesburg. He evolved a non-representational form which he termed Neo-Plasticism. This consisted of a grid of vertical and horizontal black lines and the use of the three primary colours. When 47-year-old Piet Mondrian left his artistically conservative native Holland for unfettered Paris for the second and last time in 1919, he set about at once to make his studio a nurturing environment for paintings he had in mind that would increasingly express the principles of Neo-Plasticism about which he had been writing for two years. To hide the studio's structural flaws quickly and inexpensively, he tacked up large rectangular placards, each in a single color or neutral hue. Smaller colored paper squares and rectangles, composed together, accented the walls. Then came an intense period of painting. Then again he addressed the walls, repositioning the colored cutouts, adding to their number, altering the dynamics of color and space, producing new tensions and equilibrium. Before long, he had established a creative schedule in which a period of painting took turns with a period of experimentally regrouping the smaller papers on the walls, a process that directly fed the next period of painting. It was a pattern he followed for the rest of his life, through wartime moves from Paris to London??s Hampstead in 1938 and 1940, across the Atlantic to Manhattan. At 71 in the fall of 1943, Mondrian moved into his second and final New York studio at 15 East 59th Street, and set about again to create the environment he had learned over the years was most congenial to his modest way of life and most stimulating to his art. He painted the high walls the same off-white he used on his easel and on the seats, tables and storage cases he designed and fashioned meticulously from discarded orange and apple-crates. He glossed the top of a white metal stool in the same brilliant primary red he applied to the cardboard sheath he made for the radio-phonograph that spilled forth his beloved jazz from well-traveled records, Visitors to this last studio seldom saw more than one or two new canvases, but found, often to their astonishment, that eight large compositions of colored bits of paper he had tacked and re-tacked to the walls in ever-changing relationships constituted together an environment that, paradoxically and simultaneously, was both kinetic and serene, stimulating and restful. It was the best space, Mondrian said, that he had ever inhabited. Tragically, he was there for only a few months: he died of pneumonia in February 1944.
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Piet Mondrian Broadway Boogie Woogie oil painting


Broadway Boogie Woogie
mk87 1942/43 Oil on canvas 127x127cm New York,The Museum of Madern Art
Painting ID::  34046 		Piet Mondrian
Broadway Boogie Woogie
mk87 1942/43 Oil on canvas 127x127cm New York,The Museum of Madern Art
   
   
     
Piet Mondrian Oval Compositon oil painting


Oval Compositon
mk87 1913 Oil on canva 94x78cm Amsterdam,Stedelijk Museum
Painting ID::  34081 		Piet Mondrian
Oval Compositon
mk87 1913 Oil on canva 94x78cm Amsterdam,Stedelijk Museum
   
   
     
Piet Mondrian Composition NO.ii Composition with Blue and Red oil painting


Composition NO.ii Composition with Blue and Red
mk87 1929 Oil on canvas 40.5x32cm New York The Museum of Modern Art
Painting ID::  34082 		Piet Mondrian
Composition NO.ii Composition with Blue and Red
mk87 1929 Oil on canvas 40.5x32cm New York The Museum of Modern Art
   
   
     
Piet Mondrian Portrait Adele Bloch Bauer oil painting


Portrait Adele Bloch Bauer
mk92 1907 138x138cm Wien,Osterreichische Galerie
Painting ID::  34317 		Piet Mondrian
Portrait Adele Bloch Bauer
mk92 1907 138x138cm Wien,Osterreichische Galerie
   
   
     
Piet Mondrian Composition Vii oil painting


Composition Vii
MK169 1913 Cloth 104.5x113.7cm Solomon R. Guggenheim Museum, New York
Painting ID::  42814 		Piet Mondrian
Composition Vii
MK169 1913 Cloth 104.5x113.7cm Solomon R. Guggenheim Museum, New York
   
   
     
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     Piet Mondrian
     Dutch 1872-1944 Piet Mondrian Location was a Dutch painter. He was an important contributor to the De Stijl art movement and group, which was founded by Theo van Doesburg. He evolved a non-representational form which he termed Neo-Plasticism. This consisted of a grid of vertical and horizontal black lines and the use of the three primary colours. When 47-year-old Piet Mondrian left his artistically conservative native Holland for unfettered Paris for the second and last time in 1919, he set about at once to make his studio a nurturing environment for paintings he had in mind that would increasingly express the principles of Neo-Plasticism about which he had been writing for two years. To hide the studio's structural flaws quickly and inexpensively, he tacked up large rectangular placards, each in a single color or neutral hue. Smaller colored paper squares and rectangles, composed together, accented the walls. Then came an intense period of painting. Then again he addressed the walls, repositioning the colored cutouts, adding to their number, altering the dynamics of color and space, producing new tensions and equilibrium. Before long, he had established a creative schedule in which a period of painting took turns with a period of experimentally regrouping the smaller papers on the walls, a process that directly fed the next period of painting. It was a pattern he followed for the rest of his life, through wartime moves from Paris to London??s Hampstead in 1938 and 1940, across the Atlantic to Manhattan. At 71 in the fall of 1943, Mondrian moved into his second and final New York studio at 15 East 59th Street, and set about again to create the environment he had learned over the years was most congenial to his modest way of life and most stimulating to his art. He painted the high walls the same off-white he used on his easel and on the seats, tables and storage cases he designed and fashioned meticulously from discarded orange and apple-crates. He glossed the top of a white metal stool in the same brilliant primary red he applied to the cardboard sheath he made for the radio-phonograph that spilled forth his beloved jazz from well-traveled records, Visitors to this last studio seldom saw more than one or two new canvases, but found, often to their astonishment, that eight large compositions of colored bits of paper he had tacked and re-tacked to the walls in ever-changing relationships constituted together an environment that, paradoxically and simultaneously, was both kinetic and serene, stimulating and restful. It was the best space, Mondrian said, that he had ever inhabited. Tragically, he was there for only a few months: he died of pneumonia in February 1944.

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